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denver production

Green Spaces

Green Spaces

Did you know we moved?? Chance Multimedia has been growing and expanding in great ways.

When Chance Multimedia started, James and Jessica were working out of their home in the RiNo neighborhood, before it was hipster Denver, a time that Jessica fondly refers to as RiNo B.C. (RiNo Before Crema).

Then when the company grew a little they moved to Green Spaces, a co-working building down the street that offers work stations and a fridge full of beer in a very energy-efficient green conscious building.

When the Chances bought their first house in City Park West they renovated the attached garage into a cute, small Ikea-esk office space and moved out of Green Spaces. A couple turnovers, a new baby, and a few years later, we are back in Green Spaces!

The community has grown immensely, but it’s still the fun, quirky, relaxed environment that Chance Multimedia thrived in before. With the expansion of Chance’s nonprofit arm, Stories Without Borders, and the addition of a team member, Alex Sandberg, and the expansion of the Chance’s family with little baby Daniel, we just needed some room to spread out.

We also wanted to welcome clients, partners and friends into a space where we could offer coffee, beer, couches, and a creative ambiance. Our office is decked out with plants, accented by beautiful brick walls, and we feel great working in a space that is so energy conservative. We were able to become a Certified Green Business through the City of Denver just by being in this space and operating how we do as a company.

One of the best parts about this space is being able to mingle with other creative minds every day, as the whole building is full of entrepreneurs of all sorts. Need a web designer? He’s next door! Need someone to help on a shoot? There’s a videographer available! The community is amazing, and the craft beer in the fridge doesn’t hurt.

 

Questions of Copyright and Value: Where Does Inspiration Come From?

By Dan Sohner

Have you ever had an idea stolen? Copied maybe? It’s not a particularly great feeling. But now imagine that that idea ends up on the cover of, let’s say, National Geographic.

Photographer Tim Kemple has something to say about that. In short, Kemple made an image of an iconic rock climber on an iconic rock climb and another photographer, Jimmy Chin, made a nearly identical image, which he sold to National Geographic.

Jimmy Chin's image:

national_geographic_image
national_geographic_image

Tim Kemple's image:

tim_kemple_image
tim_kemple_image

You can imagine the conversation that happened. Mr. Kemple wasn’t very happy and Mr. Chin didn’t seem to see anything wrong.

Where does copyright begin and end? What is intellectual property, really? Is this ethical?

Where does inspiration truly come from?

As a creative person, I think it is sometimes hard to ask yourself where an idea came from or why you decided to create something in a certain way. When you start asking those questions, you start to discover your personal style, which then inevitably relates directly back to everything in this world which inspires you and has most likely inspired someone else at some point.

One of the hardest things we have to face as creatives is constantly figuring out how to stay relevant, fresh and innovative. It can be difficult to maintain uniqueness when there is such a saturation of content these days. But is the issue really about the physical production of a similar image, or is it more about the idea of something you made and believe is truly unique being recreated? Does this lessen the value of the unique way you see the world?

It is up to us as creatives to draw our own boundaries and direct the evolution of photography and video production in the manor we see fit because the conversations that arise are serving to shape our social values as a whole.

When producing content for clients, we have to make sure we can evolve the conversation while still maintaing the point and integrity of the story. As storytellers we give voice to those who may not have had the opportunity to share, and their voice is what inspires us to continue developing content. Even if the story we're telling has already been told, maybe it hasn't been told in this particular way by this particular person, and that interviewee getting their voice and message heard is what matters.

I think the point of visual storytelling, whether it's through photography or videography, is to present a platform that helps us all evolve the way we understand the world around us. We have to build off of things people can relate to and in doing that, have to accept the fact that some inspiration is borrowed. We have to tap into the collective conscience in order to build off of what has previously been done.

Shared experiences, like the ones we share through media, are some of the most powerful things we can feel as humans, only to be trumped, of course, by having an image on the cover of National Geographic…

There are Many Ways to Capture a Scene...

We would like to introduce you to some key players on our team.  They lend us the ability to "extend our reach" and create shots that are even more engaging and interesting. Like hammers and nails - the use of specialized video equipment will have a different outcome and impact on a scene depending on whose hands they're in. It’s up to us to use them to tell a story beautifully and with impact. Introducing... the Movi, the jib and the slider.Movi

The Movi excels at following people and things - a child’s feet running with a soccer ball, a bike’s wheels trailing along a dirt path, or a presenter anxiously walking onto a stage to face the crowd. We use the Movi to capture close-up, intimate movements steadily, providing a visceral experience for the viewer.

MOVI from Chance Multimedia on Vimeo.

Slider

The slider likes to pan the scene. We use it to provide the viewer with a natural path on which to follow the story.

Slider from Chance Multimedia on Vimeo.

Jib

The jib comes in to grab the entire scene.  We use it to create a certain feeling of wonderment in the viewer, an awe that comes with the weightless aerial view of a situation that the jib instantly yields.

Jib from Chance Multimedia on Vimeo.

These are just a few of the tools we utilize in video production to capture scenes in the most unique and visual way. In the hands of talented cinematographers, under the eye of a keen director and woven together through the editing process, they allow us to capture a very intimate and dynamic experience for the viewer. You can see the results of these tools in our work.

Don't forget, we rent our gear out! Check out the Equipment Rentals page for more information.